TWR Gives the People What They Want: Basketball Poems

AS INTERESTING AS BASKETBALL and basketball players may be in the present, in retrospect, they can take on entirely new nuances. Below are two poems by established writers (Edward Hirsch and John Updike) each of which focuses less on basketball and more on basketball players. Hirsch's wonderful poem, written in energetic couplets, mimics the pace of a fast break. In fact, it's one single sentence pushed to the end.

Updike's now classic poem examines the gap between the glory of the basketball player and the reality of the ex-basketball player.

Both poems merge the excitement of the game's present-ness with the humanness of those who play the game.

Several readers liked the Sherman Alexie basketball poem I featured in a recent post. Follow this link to one of his best poems--and of the great basketball poems, "Defending Walt Whitman" that appeared in the Beloit Poetry Journal.

Now, to Hirsch and Updike . . .

FAST BREAK
Edward Hirsch

In Memory of Dennis Turner, 1946-1984

A hook shot kisses the rim and
hangs there, helplessly, but doesn't drop,

and for once our gangly starting center
boxes out his man and times his jump

perfectly, gathering the orange leather
from the air like a cherished possession

and spinning around to throw a strike
to the outlet who is already shoveling

an underhand pass toward the other guard
scissoring past a flat-footed defender

who looks stunned and nailed to the floor
in the wrong direction, trying to catch sight

of a high, gliding dribble and a man
letting the play develop in front of him

in slow motion, almost exactly
like a coach's drawing on the blackboard,

both forwards racing down the court
the way that forwards should, fanning out

and filling the lanes in tandem, moving
together as brothers passing the ball

between them without a dribble, without
a single bounce hitting the hardwood

until the guard finally lunges out
and commits to the wrong man

while the power-forward explodes past them
in a fury, taking the ball into the air

by himself now and laying it gently
against the glass for a lay-up,

but losing his balance in the process,
inexplicably falling, hitting the floor

with a wild, headlong motion
for the game he loved like a country

and swiveling back to see an orange blur
floating perfectly though the net.

EX-BASKETBALL PLAYER
John Updike

Pearl Avenue runs past the high-school lot,

Bends with the trolley tracks, and stops, cut off

Before it has a chance to go two blocks,

At Colonel McComsky Plaza. Berth’s Garage

Is on the corner facing west, and there,

Most days, you'll find Flick Webb, who helps Berth out.

Flick stands tall among the idiot pumps—

Five on a side, the old bubble-head style,

Their rubber elbows hanging loose and low.

One’s nostrils are two S’s, and his eyes

An E and O. And one is squat, without

A head at all—more of a football type.

Once Flick played for the high-school team, the Wizards.

He was good: in fact, the best. In ’46

He bucketed three hundred ninety points,

A county record still. The ball loved Flick.

I saw him rack up thirty-eight or forty

In one home game. His hands were like wild birds.

He never learned a trade, he just sells gas,

Checks oil, and changes flats. Once in a while,

As a gag, he dribbles an inner tube,

But most of us remember anyway.

His hands are fine and nervous on the lug wrench.

It makes no difference to the lug wrench, though.

Off work, he hangs around Mae’s Luncheonette.

Grease-gray and kind of coiled, he plays pinball,

Smokes those thin cigars, nurses lemon phosphates.

Flick seldom says a word to Mae, just nods

Beyond her face toward bright applauding tiers

Of Necco Wafers, Nibs, and Juju Beads.

A Basketball Poem

BASKETBALL'S DREAMY MARRIAGE WITH literature returns as a theme to The Weekly Rader. Last time, it was the Tournament of Books with its Final Four-March-Madness-Head- to-Head seeding of books and writers.

Today, though, in honor of the NBA playoffs, we're going simple. Just a regular poem by a regular guy, Sherman Alexie, who sent ESPN's Henry Abbot a poem Alexie wrote about playing pickup basketball with former NBA forward James Bailey.

Face
Let me sing an honor song for James Bailey,
A pro hoopster who is mostly forgotten,
But for me will always be contemporary.
Nearly seven feet tall, clad in white cotton

And new hightops, he once rose and blocked my shot
Off the court and down the pavement walkway,
Bouncing, bouncing, bouncing, and rolling on a hot
August day until it splashed into Green Lake,

Maybe seventy-five yards away from the court.
That spectacular play shut down the game.
After that humiliation, who can keep score?
One guy asked me, "What's your name? What's your name?"

Because he wanted to get all the details
"Correct." Two other brothers just ran away
And never returned. I supposed I failed
In some basketball sense, by thinking my lame

Spin move running jumper could ever succeed
Against a player like Bailey. But I had game
In those days. Skinny and mean, I could compete
On any court. Or so I thought. How strange

To know, now that I'm old and broken, how young
And foolish I used to be. James Bailey
Was only a decent pro, but I was a runt
In his presence. I'm still a serf, puny

And contrite: "Mr. Bailey, I'm so sorry
I tried to sneak that garbage into your house.
But, damn, that block of yours was so pretty,
Epic, and canonized by the adoring crowd,

That my embarrassment felt like a blessing,
Like a parable teaching me this lesson:
When we hoopsters look into our interiors,
We learn we can be gorgeous and inferior."

Not enough people write about the poetry of basketball, especially the blue-collar workaday poetry of pickup basketball in which so much of what happens is, like a poem, a kind of groping for elegance and beauty. Most who write are, like Bailey in the NBA, competent, decent. What I like about Alexie's poem is his ability to find beauty in that which is not-stellar.